Dear list members,

We are pleased to announce the publication of the special issue of
*Transposition* “Sound, Music and Violence”
https://urldefense.proofpoint.com/v2/url?u=https-3A__doi.org_10.4000_transposition.3213&d=DwIFaQ&c=Cu5g146wZdoqVuKpTNsYHeFX_rg6kWhlkLF8Eft-wwo&r=PHu0YcldevQqIedM86l0iexbqE-AeZLl-lupNToNx6I&m=f365Ka23j6iAEB5Eh1MPXRu5ZGJ0S36BFFt7ion7sEo&s=W7gVQ1rVVgH_h2MjVXxnjrTADc_LjTeYdTHH70UG41s&e= 

*Transposition* is an interdisciplinary peer-reviewed journal, supported
and co-published by the École des hautes études en sciences sociales
(EHESS) and the Cité de la musique-Philharmonie de Paris. It promotes open
research, publishing original articles, commentaries and reviews in open
access under a Creative Commons license (CC BY-SA 4.0
<https://urldefense.proofpoint.com/v2/url?u=https-3A__creativecommons.org_licenses_by-2Dsa_4.0_&d=DwIFaQ&c=Cu5g146wZdoqVuKpTNsYHeFX_rg6kWhlkLF8Eft-wwo&r=PHu0YcldevQqIedM86l0iexbqE-AeZLl-lupNToNx6I&m=f365Ka23j6iAEB5Eh1MPXRu5ZGJ0S36BFFt7ion7sEo&s=dq1itVanAJDKy2UuHKcE8LkDPfxE3GOkKpJbYlDJdkk&e= >). A member of OpenEdition
Journals, Transposition is indexed in the Répertoire International de
Littérature Musicale (RILM) and the Directory of Open Access Journals
(DOAJ, https://urldefense.proofpoint.com/v2/url?u=https-3A__doaj.org_toc_2110-2D6134&d=DwIFaQ&c=Cu5g146wZdoqVuKpTNsYHeFX_rg6kWhlkLF8Eft-wwo&r=PHu0YcldevQqIedM86l0iexbqE-AeZLl-lupNToNx6I&m=f365Ka23j6iAEB5Eh1MPXRu5ZGJ0S36BFFt7ion7sEo&s=RI_2S9jnBFpcyCR9p8RbqcAYMe1vnL0HcL3lvwHZess&e= ).

*Introduction*
Luis Velasco-Pufleau
Introduction. Son, musique et violence / Introduction. Sound, Music and
Violence

*Articles*
Victor A. Stoichita
Affordance to Kill: Sound Agency and Auditory Experiences of a Norwegian
Terrorist and American Soldiers in Iraq and Afghanistan

Sarah Kay
Songs of War: The Voice of Bertran de Born

Nikita Hock
Making Home, Making Sense: Aural Experiences of Warsaw and East Galician
Jews in Subterranean Shelters during the Holocaust

*Interview and Commentaries*
Luis Velasco-Pufleau
De la musique à la lutte armée, de 1968 à Action directe : entretien avec
Jean-Marc Rouillan / From Music to Armed Struggle, from 1968 to Action
Directe: An Interview with Jean-Marc Rouillan

Matthew Worley
Guitars Give Way to Guns: A Commentary on an Interview with Jean-Marc
Rouillan

Timothy Scott Brown
Going Underground: The Politics of Free Music around 1968

Jeremy Varon
Reflections on a Revolutionary and Music

*Essays*
Morag Josephine Grant
On Music and War

Cornelia Nuxoll
Culprit or Accomplice: Observations on the Role and Perception of Music in
Violent Contexts in the Sierra Leone War

Annegret Fauser
Sound, Music, War and Violence: Listening from the Archive

Michael Guida
Nature’s Sonic Order on the Western Front

John Morgan O’Connell
Sound Bites: Music as Violence

Anna Papaeti
On Music, Torture and Detention: Reflections on Issues of Research and
Discipline

Hettie Malcomson
On Sensationalism, Violence and Academic Knowledge

J. Martin Daughtry
Did Music Cause the End of the World?


Best wishes,

Igor Contreras Zubillaga
On behalf of the editorial board of *Transposition*


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