Naxos Musicology International, a new online platform for music scholarship
and opinion, is available to readers via the Naxos Music Library:
https://urldefense.proofpoint.com/v2/url?u=https-3A__www.nml3.naxosmusiclibrary.com_login&d=DwIFaQ&c=Cu5g146wZdoqVuKpTNsYHeFX_rg6kWhlkLF8Eft-wwo&r=PHu0YcldevQqIedM86l0iexbqE-AeZLl-lupNToNx6I&m=1u_3hik_SSVAjIbQhYTddlj3x_hokB8JPUDOj-c9jxU&s=6ke-YG0LXz9AAaUkzOBtt1zOGi_V1zI6gifr7_LjrXY&e= 

(After logging on to the Naxos Music Library with your library or private
password, click ‘Musicology’ on the left-hand column: this will take you
directly to Naxos Musicology.)

New contents for July 2020 includes:

OPINION: Musical Culture and COVID-19
Kate Guthrie, ‘Have We Been Here Before?’
Deirdre Loughridge, ‘Music in Times of Pestilence’.
Martin Stokes, ‘Public/Private Musicology and the Virus’.

OPINION: Public Musicology
Samuel Dorf, ‘How to Talk about Opera at a Time of Crisis’.
Ralph P. Locke, ‘Writing Responsibly for the General Reader’.
Mary Natvig, ‘Public Musicology: Why?’
Brooke McCorkle Okazaki, ‘Public Musicology and Film: A Personal Take’.
Jack Sullivan, ‘Perils and Pleasures of the Programme Note’.

ESSAYS
Rujing Huang, ‘“A Theory of Our Own”: Reconstructing National Scales in the
Chinese Yayue Revival’.
Ian MacMillen, ‘Alternative and Non-National Anthems in the Continuing
“Black Lives Matter” Movement: Listening to Memory and Pain’.
Zachary Zoeffler, ‘Defining Lang Lang’s Theatricality: A
Historical-Materialist Approach’.

ENCOUNTERS
Claire Fedoruk, ‘Transforming Narrative through Performance: Sellars Stages
Orlando di Lasso’.
Matthew Schellhorn, ‘New Recording of Rare Manuscripts by Herbert Howells’.
Andrew Schultz, ‘Music and the Meaning of Water’.

***CALL FOR CONTRIBUTIONS***
We are currently inviting:
• Essay submissions on any music-related topic
• Opinion pieces on the following themes: Musical Culture and COVID-19;
Theatricality and the Challenge of Definition; Listening to Latin America.

Email: nmi -at- naxos.com


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