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Subject:	JOURNAL CONTENTS: Journal of Musicology 37/3
From:	AMS <[log in to unmask]>
Reply To:	AMS <[log in to unmask]>
Date:	Wed, 15 Jul 2020 12:45:00 -0400
Content-Type:	multipart/alternative
Parts/Attachments:	text/plain (1208 bytes) , text/html (1762 bytes)

Journal of Musicology vol. 37 issue 3
https://urldefense.proofpoint.com/v2/url?u=https-3A__online.ucpress.edu_jm_issue_37_3&d=DwIFaQ&c=Cu5g146wZdoqVuKpTNsYHeFX_rg6kWhlkLF8Eft-wwo&r=PHu0YcldevQqIedM86l0iexbqE-AeZLl-lupNToNx6I&m=fPAgqJcfovdvLKCX26dLF_N90dfXx7EXyVZGK4zNxHQ&s=Bt75AMBTgbaQUHjszPq9VcAWfnpr6NlCmFpuY0_AJWI&e= 

William Watson, The Other Missa Prolationum

Rebecca Herissone, “Exactly engrav’d by Tho: Cross”? The Role of
Single-Sheet Prints in Preserving Performing Practices from the Restoration
Stage

Fabio Morabito, Rehearsing the Social: Beethoven’s Late Quartets in Paris,
1825–1829

Monica A. Hershberger, Feminist Revisions: Virgil Thomson and Gertrude
Stein’s Mid-century Homage to Susan B. Anthony


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