Eighteenth-Century Music Volume 16 / Issue 2, September 2019
https://urldefense.proofpoint.com/v2/url?u=https-3A__www.cambridge.org_core_journals_eighteenth-2Dcentury-2Dmusic&d=DwIFaQ&c=Cu5g146wZdoqVuKpTNsYHeFX_rg6kWhlkLF8Eft-wwo&r=PHu0YcldevQqIedM86l0iexbqE-AeZLl-lupNToNx6I&m=48_BVLXeXpy_xU9kfG86TITCVvB7ET-I9ounf4saQao&s=xZYiTr8rrH-pA14Wc6IJ43v21Q_82XkqxF-yd0SFuDc&e=
EDITORIAL
ELIZABETH HELLMUTH MARGULIS
SOUNDS TO ESTABLISH A CORPS: THE ORIGINS OF THE UNITED STATES MARINE BAND,
1798–1804
PATRICK R. WARFIELD
FOUR STEPS TOWARDS PARNASSUS: JOHANN DAVID HEINICHEN'S METHOD OF KEYBOARD
IMPROVISATION AS A MODEL OF BAROQUE COMPOSITIONAL PEDAGOGY
DEREK REMEŠ
THE POLISH-SAXON EPISODE IN THE LIFE OF GREGOR JOSEPH WERNER
SZYMON PACZKOWSKI
REBECCA HARRIS-WARRICK DANCE AND DRAMA IN FRENCH BAROQUE OPERA: A HISTORY
Cambridge: Cambridge University Press, 2016 pp. xx + 484, isbn978 1 107
13789 9
BRUCE ALAN BROWN
DEIRDRE LOUGHRIDGE HAYDN'S SUNRISE, BEETHOVEN'S SHADOW Chicago: University
of Chicago Press, 2016 pp. 328, isbn978 0 226 33709 8
KATHERINE HAMBRIDGE
NANCY NOVEMBER CULTIVATING STRING QUARTETS IN BEETHOVEN'S VIENNA
Woodbridge: Boydell, 2017 pp. ix + 258, isbn978 1 783 27232 7
MARY HUNTER
JEFFREY S. SPOSATO LEIPZIG AFTER BACH: CHURCH AND CONCERT LIFE IN A GERMAN
CITY Oxford: Oxford University Press, 2018 pp. xix + 313, isbn978 0 190
61695 3
DESMOND SHEEHAN
FRANÇOIS COUPERIN (1668–1733), ed. DENIS HERLIN PIÈCES DE CLAVECIN, PREMIER
LIVRE (1713) / PIÈCES DE CLAVECIN, SECOND LIVRE (1717) Kassel: Bärenreiter,
2016 / 2018 pp. xxxvi + 128, ismn979 0 006 50561 6 / pp. xxxviii + 137,
ismn979 0 006 50562 3
DAVID Y. S. CHUNG
CARL PHILIPP EMANUEL BACH (1714–1788) TANGERE Alexei Lubimov
(Tangentenflügel) ECM 2112, 2017; one disc, 67 minutes
PAMELA HICKMAN
JIŘÍ DRUŽECKÝ (1745–1819), JAN NEPOMUK VENT (1745–1801), PAVEL VRANICKÝ
(1756–1808) HUNTING MUSIC OF OLD CZECH MASTERS Collegium Musicum Pragensae
/ Prague Symphony Orchestra / František Vajnar (conductor) Supraphon
4228–2, 2018; one disc, 56 minutes
KATHRYN L. LIBIN
XXIST C. CHALLENGES TO THE HISTORY OF XVIIITH C. MUSICAL AESTHETICS TURIN,
11–12 JUNE 2018
NATHAN JOHN MARTIN
THE ORGAN IN THE GLOBAL BAROQUE CORNELL UNIVERSITY, 6–8 SEPTEMBER 2018
MORTON WAN
Eighteenth-Century Music, Volume 16 / Issue 2, September 2019, pp 189 - 192
ZELENKA CONFERENCE PRAGUE, 19 OCTOBER 2018
HANNAH SPRACKLAN-HOLL
Eighteenth-Century Music, Volume 16 / Issue 2, September 2019, pp 192 - 194
FRANÇOIS COUPERIN: A 350TH ANNIVERSARY SYMPOSIUM ROYAL BIRMINGHAM
CONSERVATOIRE, 9–10 NOVEMBER 2018
DAVID VICKERS
Eighteenth-Century Music, Volume 16 / Issue 2, September 2019, pp 194 - 196
OPERA AS INSTITUTION: NETWORKS AND PROFESSIONS (1700–1914) UNIVERSITÄT
GRAZ, 23–24 NOVEMBER 2018
MICHAEL BURDEN
THE HANDEL INSTITUTE CONFERENCE THE BRITISH LIBRARY AND THE FOUNDLING
MUSEUM, 23–25 NOVEMBER 2018
NATASSA VARKA
AMERICAN HANDEL FESTIVAL JACOBS SCHOOL OF MUSIC, INDIANA UNIVERSITY
BLOOMINGTON, 7–10 FEBRUARY 2019
ALISON DESIMONE
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