thanks for this very useful and clear summary! lav
On 7/30/2013 10:31 AM, Stephen DiCerbo wrote:
> There are a lot of assumptions about copyrights, mostly erroneous
>
> the best approach is through knowledge..
>
> Copyrights are governed by the Berne Convention, , the US being one of
> 170 participating countries.... as of now, I am pretty sure China
> has not joined (surprise!!)
>
> research the Berne Convention and factual sites that explain its
> provisions for more information:
>
> heres one
>
>
> http://www.arsny.com/basics.html
>
>
> some basics:
>
> you own copyrights of your work as intellectual property from the
> moment it is created
>
> copyrights, like any other legal rights can only be transferred by a
> legal document.
>
> you do not need to place the copyright symbol on your work in order to
> possess or protect your copyrights.
>
> despite the expense and involved process of registering your images
> with the Copyright office, it offers the best protection,
>
> if for some god awful reason you need to pursue a case in court
> concerning the theft of an unregistered work, and it is found in your
> favor will allow you to stop further use by the thief, but not much else.
>
> If the same thing occurs with a registered image, you can recoup your
> lawyer's cost and punitive damages of up to $10,000 for each offense.
>
> there are a lot aspects to copyright laws, but its all pretty much
> spelled out..
>
> A commissioned Illustration does not eliminate your rights, unless
> spelled out and agreed to in writing by both parties
>
> The only aversion of inherent rights to your intellectual property is
> in a "work for hire" case. If you Illustrate for an employee that
> has hired you and pays you wages and benefits, your copyrights may be
> , at least in part, forfeit. This does not include commissioned or
> freelance work.
>
> You should familiarized yourself with what rights you might or might
> not have when you are hired on by an employer.
>
>
> Stephen
>
>
>
>
> At 05:34 PM 6/10/2013, you wrote:
>> It is my understanding that the sale of an original piece of fine art
>> and the rights assigned are QUITE different from that of a
>> commissioned illustration. I strongly suggest you go to the US
>> Copyright Office site for more information: http://www.copyright.gov/
>>
>> Best regards,
>> Pam
>>
>>
>> On 6/10/2013 2:33 PM, Benedict, Chuck A -FS wrote:
>>> You sold the painting. You no longer own the painting. Assuming
>>> you made no claims to any rights when you sold it, all rights
>>> transferred to the new owner. The new owner can reproduce the
>>> painting any way she/he sees fit. You can place no restrictions on
>>> the use of the painting by the new owner. The new owner can place
>>> an image of the painting on any website he/she wishes, at any
>>> resolution she/he wants. Finally, it is up to the new owner to
>>> specify how, if at all, the image can be used by anyone viewing it
>>> on the web. That's just how it is.
>>>
>>> -----Original Message-----
>>> From: SciArt-L Discussion List-for Natural Science Illustration-
>>> [mailto:[log in to unmask]] On Behalf Of Britt Griswold
>>> Sent: Monday, June 10, 2013 12:35 PM
>>> To: [log in to unmask]
>>> Subject: [SCIART] Copyright and web use question
>>>
>>> I would like to ask a questions regarding copyright; I sold a
>>> watercolor painting and the person who bought it would like to use
>>> it on their website as a added graphic element. I'm not sure how to
>>> word permission for them use it only on the website and how to
>>> protect it and prevent other uses from happening. I'm also not sure
>>> how to ask them to keep it low resolution on the website so it
>>> cannot get reproduced off their website.
>>>
>>> Thanks so much for any advice on all this.
>>>
>>> All my best,
>>> Sharon
>>>
>>> *Sharon Birzer*|*Birzer Studios*
>>>
>>>
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>>
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--
Linda Ann Vorobik, PhD Botanist, Botanical Artist
www.VorobikBotanicalArt.com, blogging at: http://vorobikbotanicalart.blogspot.com/
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