Music Library Association. Notes; Jun 2019; Vol. 75 (4)

Opera for the People: English-Language Opera and Women Managers in Late 19th-Century America
Lynch, Christopher.

Holden, Chris; Knop, Keith; Newcomer, Nara. 

The Anne Boleyn Music Book (Royal College of Music MS 1070)
Stoessel, Jason. 

The Polyphonic Mass in France, 1600-1780: The Evidence of the Printed Choirbooks
Arenas, Erick. 

Sergei Prokofiev's Alexander Nevsky
Dean, Terry L. 

Foreign Opera at the London Playhouses: From Mozart to Bellini
Chambers, Lee.

The Real Tales of Hoffmann: Origin, History, and Restoration of an Operatic Masterpiece
Cummins, Melissa. 

The Music of Simon Holt
Olson, Karen J. 

Martin Luther
Leaver, Robin A. 

Playing in the Cathedral: Music, Race, and Status in New Spain
Marín-López, Javier.

Libby Larsen: Composing an American Life
Rausch, Robin. 

Sources of Identity: Makers, Owners, and Users of Music Sources before 1600
Thomas, Jennifer. 

"Very Good for an American": Essays on Edward MacDowell
Gray, Myron. 

Antoine Busnoys
Christoffersen, Peter Woetmann. 

Everyday Creativity: Singing Goddesses in the Himalayan Foothills
Dalzell, Victoria M. 

Transglobal Sounds: Music, Youth and Migration
Lara, Francisco D. 

Broude, Ronald. 

The Rite of Spring at 100
Schmelz, Peter J. 

Sara Levy's World: Gender, Judaism, and the Bach Tradition in Enlightenment Berlin
Levy, David B. 

Duke Ellington Studies
Shim, Eunmi. 

Dust of the Zulu: Ngoma Aesthetics after Apartheid
Sanga, Imani. 

Andreas Werckmeister's Musicalische Paradoxal-Discourse: A Well-Tempered Universe
Hieb, Kimberly Beck. 

Allusion as Narrative Premise in Brahms's Instrumental Music
Reynolds, Christopher. 

Frédéric Chopin
Bellman, Jonathan D. 

Kwaito's Promise: Music and the Aesthetics of Freedom in South Africa
Wint, Suzanne.


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