Eighteenth-Century Music Volume 16 / Issue 2, September 2019 https://urldefense.proofpoint.com/v2/url?u=https-3A__www.cambridge.org_core_journals_eighteenth-2Dcentury-2Dmusic&d=DwIFaQ&c=Cu5g146wZdoqVuKpTNsYHeFX_rg6kWhlkLF8Eft-wwo&r=PHu0YcldevQqIedM86l0iexbqE-AeZLl-lupNToNx6I&m=48_BVLXeXpy_xU9kfG86TITCVvB7ET-I9ounf4saQao&s=xZYiTr8rrH-pA14Wc6IJ43v21Q_82XkqxF-yd0SFuDc&e= EDITORIAL ELIZABETH HELLMUTH MARGULIS SOUNDS TO ESTABLISH A CORPS: THE ORIGINS OF THE UNITED STATES MARINE BAND, 1798–1804 PATRICK R. WARFIELD FOUR STEPS TOWARDS PARNASSUS: JOHANN DAVID HEINICHEN'S METHOD OF KEYBOARD IMPROVISATION AS A MODEL OF BAROQUE COMPOSITIONAL PEDAGOGY DEREK REMEŠ THE POLISH-SAXON EPISODE IN THE LIFE OF GREGOR JOSEPH WERNER SZYMON PACZKOWSKI REBECCA HARRIS-WARRICK DANCE AND DRAMA IN FRENCH BAROQUE OPERA: A HISTORY Cambridge: Cambridge University Press, 2016 pp. xx + 484, isbn978 1 107 13789 9 BRUCE ALAN BROWN DEIRDRE LOUGHRIDGE HAYDN'S SUNRISE, BEETHOVEN'S SHADOW Chicago: University of Chicago Press, 2016 pp. 328, isbn978 0 226 33709 8 KATHERINE HAMBRIDGE NANCY NOVEMBER CULTIVATING STRING QUARTETS IN BEETHOVEN'S VIENNA Woodbridge: Boydell, 2017 pp. ix + 258, isbn978 1 783 27232 7 MARY HUNTER JEFFREY S. SPOSATO LEIPZIG AFTER BACH: CHURCH AND CONCERT LIFE IN A GERMAN CITY Oxford: Oxford University Press, 2018 pp. xix + 313, isbn978 0 190 61695 3 DESMOND SHEEHAN FRANÇOIS COUPERIN (1668–1733), ed. DENIS HERLIN PIÈCES DE CLAVECIN, PREMIER LIVRE (1713) / PIÈCES DE CLAVECIN, SECOND LIVRE (1717) Kassel: Bärenreiter, 2016 / 2018 pp. xxxvi + 128, ismn979 0 006 50561 6 / pp. xxxviii + 137, ismn979 0 006 50562 3 DAVID Y. S. CHUNG CARL PHILIPP EMANUEL BACH (1714–1788) TANGERE Alexei Lubimov (Tangentenflügel) ECM 2112, 2017; one disc, 67 minutes PAMELA HICKMAN JIŘÍ DRUŽECKÝ (1745–1819), JAN NEPOMUK VENT (1745–1801), PAVEL VRANICKÝ (1756–1808) HUNTING MUSIC OF OLD CZECH MASTERS Collegium Musicum Pragensae / Prague Symphony Orchestra / František Vajnar (conductor) Supraphon 4228–2, 2018; one disc, 56 minutes KATHRYN L. LIBIN XXIST C. CHALLENGES TO THE HISTORY OF XVIIITH C. MUSICAL AESTHETICS TURIN, 11–12 JUNE 2018 NATHAN JOHN MARTIN THE ORGAN IN THE GLOBAL BAROQUE CORNELL UNIVERSITY, 6–8 SEPTEMBER 2018 MORTON WAN Eighteenth-Century Music, Volume 16 / Issue 2, September 2019, pp 189 - 192 ZELENKA CONFERENCE PRAGUE, 19 OCTOBER 2018 HANNAH SPRACKLAN-HOLL Eighteenth-Century Music, Volume 16 / Issue 2, September 2019, pp 192 - 194 FRANÇOIS COUPERIN: A 350TH ANNIVERSARY SYMPOSIUM ROYAL BIRMINGHAM CONSERVATOIRE, 9–10 NOVEMBER 2018 DAVID VICKERS Eighteenth-Century Music, Volume 16 / Issue 2, September 2019, pp 194 - 196 OPERA AS INSTITUTION: NETWORKS AND PROFESSIONS (1700–1914) UNIVERSITÄT GRAZ, 23–24 NOVEMBER 2018 MICHAEL BURDEN THE HANDEL INSTITUTE CONFERENCE THE BRITISH LIBRARY AND THE FOUNDLING MUSEUM, 23–25 NOVEMBER 2018 NATASSA VARKA AMERICAN HANDEL FESTIVAL JACOBS SCHOOL OF MUSIC, INDIANA UNIVERSITY BLOOMINGTON, 7–10 FEBRUARY 2019 ALISON DESIMONE _______________________________________________ AMS-Announce mailing list and bulletin board: WANT TO SUBMIT A POST? See: http://www.amsmusicology.org/page/announce TO SEE THE ARCHIVED POSTS: https://LISTSERV.UNL.EDU/cgi-bin/wa?A0=AMS-ANNOUNCE TO UNSUBSCRIBE, or switch to/from Digest mode: log in to https://LISTSERV.UNL.EDU and edit your subscription. AMS-Announce: A service of the American Musicological Society, www.amsmusicology.org