Transposition is an interdisciplinary peer-reviewed journal, supported and co-published by the École des hautes études en sciences sociales (EHESS) and the Cité de la musique-Philharmonie de Paris. It promotes open research, publishing original articles, commentaries and reviews in open access under a Creative Commons license (
CC BY-SA 4.0). A member of OpenEdition Journals, Transposition is indexed in the Répertoire International de Littérature Musicale (RILM) and the Directory of Open Access Journals (DOAJ,
https://doaj.org/toc/2110-6134).
Introduction
Luis Velasco-Pufleau
Introduction. Son, musique et violence / Introduction. Sound, Music and Violence
Articles
Victor A. Stoichita
Affordance to Kill: Sound Agency and Auditory Experiences of a Norwegian Terrorist and American Soldiers in Iraq and Afghanistan
Sarah Kay
Songs of War: The Voice of Bertran de Born
Nikita Hock
Making Home, Making Sense: Aural Experiences of Warsaw and East Galician Jews in Subterranean Shelters during the Holocaust
Interview and Commentaries
Luis Velasco-Pufleau
De la musique à la lutte armée, de 1968 à Action directe : entretien avec Jean-Marc Rouillan / From Music to Armed Struggle, from 1968 to Action Directe: An Interview with Jean-Marc Rouillan
Matthew Worley
Guitars Give Way to Guns: A Commentary on an Interview with Jean-Marc Rouillan
Timothy Scott Brown
Going Underground: The Politics of Free Music around 1968
Jeremy Varon
Reflections on a Revolutionary and Music
Essays
Morag Josephine Grant
On Music and War
Cornelia Nuxoll
Culprit or Accomplice: Observations on the Role and Perception of Music in Violent Contexts in the Sierra Leone War
Annegret Fauser
Sound, Music, War and Violence: Listening from the Archive
Michael Guida
Nature’s Sonic Order on the Western Front
John Morgan O’Connell
Sound Bites: Music as Violence
Anna Papaeti
On Music, Torture and Detention: Reflections on Issues of Research and Discipline
Hettie Malcomson
On Sensationalism, Violence and Academic Knowledge
J. Martin Daughtry
Did Music Cause the End of the World?
Best wishes,
Igor Contreras Zubillaga
On behalf of the editorial board of Transposition