https://urldefense.proofpoint.com/v2/url?u=http-3A__www.thewagnerjournal.co.uk&d=DwIFaQ&c=Cu5g146wZdoqVuKpTNsYHeFX_rg6kWhlkLF8Eft-wwo&r=PHu0YcldevQqIedM86l0iexbqE-AeZLl-lupNToNx6I&m=1BJIznBqMGXSFr2wzM-Gwi1SJHmrOkcaz6-uAHkjIPA&s=FUJYCXqISFP5llx_MbUwqzaUynN85_oh82m73_ZdS-A&e= 

The July 2020 issue (vol.14, no.2) has been published and contains the
following feature articles:

• ‘The Use of Eastern Concepts in Wagner’s Stage Works‘ by Peter Bassett

• ‘Wagner and the Ottomans‘ by Emre Aracı

• ’Gender, Japan and the Takarazuka Revue‘s 1968 *Tristan und Isolde*’ by
Brooke McCorkle Okazaki

plus reviews of: *Tristan und Isolde* in Frankfurt, *Die Meistersinger* in
Dresden, *Parsifal* in Strasbourg, *Die Walküre* in Singapore and
*Siegfried* in London; the ROH *Walküre* under Pappano on DVD; a *Tristan*
with Stuart Skelton and Gun-Brit Barkmin, a *Holländer* with Franz Crass
under Sawallisch (Bayreuth, 1960) and a *Walküre* under Rattle on CD;
Alexander Shapiro‘s *The Consolations of History*, Diane V.
Silverthorne‘s *Music,
Art and Performance from Liszt to Riot Grrrl *and Markus Kiesel et
al‘s *Wandrer
heißt mich die Welt: Auf Wagners Spuren durch Europa*


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