I scan my black and white ink drawings straight into black and white at
1200 ppi with very good results. I did a few experiments to get the
right threshold levels.  I would recommend you give this a try and
compare to the results from more complex methods.

Will Smith
Projet Officer (Botanical Imaging)
Queensland Herbarium
Science Delivery
Department of Science, IT, Innovation and the Arts (DSITIA)

Brisbane Botanic Gardens Mt Coot-tha
Mt Coot-tha Road, Toowong, Queensland, Australia 4066
Phone: (07) 38969508

-----Original Message-----
From: SciArt-L Discussion List-for Natural Science Illustration-
[mailto:[log in to unmask]] On Behalf Of Kathryn Killackey
Sent: Saturday, 27 July 2013 5:45 PM
To: [log in to unmask]
Subject: [SCIART] Processing pen and ink stippled illustrations in

Hi everyone,

I was wondering if anyone could share their method for cleaning up
stippled illustrations in photoshop? I create a lot of pen and ink
stippled illustrations of archaeological artifacts. I have always been
dissatisfied with how they turn out digitally. They seem somehow
diminished once I'm done scanning and processing them.

My usual method: I ink with Koh-i-noor Rapidograph pens and ink on
Permatrace (a British brand of Duralene). I then scan at 600 ppi. The
scan always turns out a bit grey so I then take it in to Photoshop to
get it back to black and white. In Photoshop I mess around with a curves
adjustment layer and go in and clean up stubborn grey areas with a
brush. This method sometimes works better then others. I find that
sometimes I have to push the curves so far to get to straight black and
white that the stipple dots are reduced.

I've just found this video on Youtube:

which selects and fills the background with white before using curves.
It's definitely an improvement but I still get grey in areas of dense
stipple and cleaning that up by hand is time consuming.

Any suggestions?



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