I spotted this on a list of recent history of medicine/science dissertations (http://www.hsls.pitt.edu/histmed/dissertations) and thought SCIArt folks might want to know about it.I don't have easy access to ProQuest so I haven't seen the dissertation yet. I'm curious to see what Dr. O'Donnell says about the changing technology/cost of producing and printing images over the 2 centuries.KarenKaren ReedsPrinceton Research Forum, a community of independent scholars: http://www.princetonresearchforum.org/Karen Reeds, "Impossible Plants," essay for Weird, Wild & Wonderful: The Second New York Botanical Garden Triennial Exhibition, Curated by the American Society of Botanical Artists (Bronx NY: New York Botanical Garden and American Society of Botanical Artists, 2014), 8-11.
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Connections between fine art and scientific illustrations in the PTRS in the period 1660-1850
2013 2013
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This dissertation investigates connections between scientific illustration in the Philosophical Transactions of the Royal Society (PTRS) and fine art in the period from 1660 to 1850, comparing three science illustrations from approximately 100-year intervals, 1667, 1775, and 1839, with fine art images of Van Dyck, (1641), Wilson, (1774), and Constable, (1831). My assessment consisted of an objective visual analysis of the science and fine art images using Wolfflin's comparison pairs, an analysis of the compositional and external art influences in the science images, and an evaluation of the science images related to period art theory. My research found that the science images do reflect period fine art elements, to a degree, but they are not expressive statements of fine art. My research revealed increasing aesthetic influences in the scientific images from 1667 to 1839, suggesting that the incorporation of fine art elements in these science images, and the increased use of illustrations in PTRS articles, may reflect a growing awareness of the significance of images in scientific argument.
Indexing (details)
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