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 From what I remember, the subsequent washes were very thin and watery, 
and we didn't re-wet the paper.

-Gail


On 9/5/16 10:14 AM, OC Carlisle wrote:
> Thank you!!! I will be very interested in having this info. I have an 
> upcoming project requiring a wash background.
> Looking forward to your research!
>
> OC Carlisle
>
>
>> On Sep 5, 2016, at 7:13 AM, Catherine Wilson <[log in to unmask] 
>> <mailto:[log in to unmask]>> wrote:
>>
>> Thanks Holly! I'm going to see if I can also track down my notes on 
>> the "Cody" method.
>>
>>
>> On Sun, Sep 4, 2016 at 7:22 PM, Holly Butlett <[log in to unmask] 
>> <mailto:[log in to unmask]>> wrote:
>>
>>     From what I remember, you didn't wet the paper after the first
>>     washes.  But depends on where your at with the wash.   He used a
>>     lot of water into the paint to give a nice wet wash.   Hope this
>>     helps.  Holly
>>
>>     On Sep 4, 2016 5:28 PM, "Catherine Wilson" <[log in to unmask]
>>     <mailto:[log in to unmask]>> wrote:
>>
>>         Hello GNSI friends,
>>
>>         I'm working on a painting as a homage to John Cody... but I'm
>>         having trouble with the glazes... I even looked though the
>>         handbook.
>>
>>         I know you start of with a spritz of water to wet the paper
>>         and let it become bone dry between washes... but do you
>>         spritz the paper again before each wash? Or work the dry paper...
>>
>>         I want to make sure his techniques are remembered.
>>
>>         Sincerely,
>>         Cat
>>
>>
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>
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-- 
Gail Guth
Guth Illustration & Design
139 Lathrop Avenue
Battle Creek, MI  49014-5076
269-963-1311
[log in to unmask]
www.guthillustration.com <http://www.guthillustration.com/>



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