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*Music Theory Online*, MTO 22.4
<http://www.mtosmt.org/issues/mto.16.22.4/toc.22.4.html> (December 2016)

*articles*

Garreth Broesche, Glenn Gould, Spliced: Investigating the Filmmaking Analogy
<http://mtosmt.org/issues/mto.16.22.4/mto.16.22.4.broesche.html>

Andrew Goldman, Improvisation as a Way of Knowing
<http://mtosmt.org/issues/mto.16.22.4/mto.16.22.4.goldman.html>

Mark Gotham and Iain Gunn, Pitch Properties of the Pedal Harp, with an
Interactive Guide
<http://mtosmt.org/issues/mto.16.22.4/mto.16.22.4.gotham.html>

Alexander Rehding, Instruments of Music Theory
<http://mtosmt.org/issues/mto.16.22.4/mto.16.22.4.rehding.html>

Margaret Thomas, Text and Temporality: Toward an Understanding of Rhythmic
Irregularities in the Music of Tom Waits
<http://mtosmt.org/issues/mto.16.22.4/mto.16.22.4.thomas.html>



*reviews*

Rowland Moseley, Review of Roger Mathew Grant, *Beating Time & Measuring
Music in the Early Modern Era*(Oxford University Press, 2014)
<http://mtosmt.org/issues/mto.16.22.4/mto.16.22.4.moseley.html>

Boyd Pomeroy, Review of Steven Vande Moortele, Julie Pedneault-Deslauriers,
and Nathan John Martin, eds. *Formal Functions in Perspective: Essays on
Musical Form from Haydn to Adorno* (University of Rochester Press, 2015)
<http://mtosmt.org/issues/mto.16.22.4/mto.16.22.4.pomeroy.html>

Chris Stover, Review of Judy Lochhead, *Reconceiving Structure in
Contemporary Music* (Routledge, 2015)
<http://mtosmt.org/issues/mto.16.22.4/mto.16.22.4.stover.html>

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