Yearbook for Traditional Music, Vol. 48

http://www.jstor.org/stable/10.5921/yeartradmusi.48.issue-2016

Guest Editors' Preface (p. xi)
Razia Sultanova and Timothy Rice

General Editor's Preface (p. xii)
Kati Szego

Articles

Safeguarding Intangible Cultural Heritage in the Republic of Macedonia (pp. 1-24)
Velika Stojkova Serafimovska, Dave Wilson and Ivona Opetčeska Tatarčevska

Gauging Music Vitality and Viability: Three Cases from Cambodia (pp. 25-47)
Catherine Grant and Chhuon Sarin

Xeremiers de sa Calatrava, from Heydey to Unemployment: Lives Dedicated to the Mallorcan Bagpipes (pp. 48-70)
Cassandre Balosso-Bardin

Multiple Authenticities in Motion: Styles and Stances in Sikh Sabad Kīrtan (pp. 71-93)
Inderjit N. Kaur

Stories of Differentiation and Association: Narrative Identity and the Jola Ekonting (pp. 94-114)
Scott V. Linford

“The Land of Our Origin”: Music and History in the Norway–Azerbaijan Connection (pp. 115-135)
Thomas Solomon

Computer Sound Analysis of Traditional Music of Transcaucasia and Central Asia (pp. 136-145)
Violetta Yunusova and Alexander Kharuto

A Computer-based Study of Scales on the Kazakh Dombra and Kyl-kobyz (pp. 146-166)
Saule Utegalieva

Spiraling to Redefine (Dis)Ability: A Case Study in Summer Music Programming for Children (pp. 167-185)
Louise Wrazen

Negotiating the Personal and Professional: Ethnomusicologists and Uncomfortable Truths (pp. 186-203)
Rebecca S. Miller, Svanibor Pettan, Anne K. Rasmussen and Margaret Sarkissian

Book Reviews

Musical Intimacies and Indigenous Imaginaries: Aboriginal Music and Dance in Public Performance by Dueck, Byron (pp. 204-205)
Review by: John-Carlos Perea

Mississippi Fiddle Tunes and Songs from the 1930s by Bolick, Harry, and Stephen T. Austin (pp. 206-207)
Review by: Deborah Justice

Italian Birds of Passage: The Diaspora of Neapolitan Musicians in New York by Frasca, Simona (pp. 208-210)
Review by: Joseph Sciorra

Steady Steady: The Life and Music of Seaman Dan by Dan, Henry “Seaman” and Karl Neuenfeldt (pp. 210-212)
Review by: Gabriel Solis

Performing Arts in Postmodern Bali: Changing Interpretations, Founding Traditions by Stepputat, Kendra (pp. 212-214)
Review by: Lawrence Ross

Spinning Mambo into Salsa: Caribbean Dance in Global Commerce by McMains, Juliet (pp. 214-216)
Review by: Sarah Town

Hip Hop Ukraine: Music, Race, and African Migration by Helbig, Adriana (pp. 216-218)
Review by: Maurice Mengel

Audio Reviews

Africa

Ghana Muntie: Recordings from the GBC Gramophone Library and Radio Ghana 1947 to 1962 (p. 219)
Review by: Steven Feld

North America

Bellows and Bows: Historic Recordings of Traditional Fiddle and Accordion Music from across Canada(pp. 220-221)
Review by: Peter Toner

Douglastown: Musique et chanson de la Gaspésie / Music and song from the Gaspé Coast (pp. 221-222)
Review by: Colin Quigley

Songs My Mother Taught Me (pp. 222-223)
Review by: Willie R. Collins

South Asia

¡Canta con Venezuela! / Sing with Venezuela! (p. 223)
Review by: Katrin Lengwinat

East Asia

Musajan Rozi: The Korla Diaries (pp. 223-225)
Review by: Rachel Harris

Tsar Teh-yun (1905–2007), maître du qin / Master Tsar, The Art of the Qin (pp. 225-227)
Review by: Tsan-Huang Tsai

Japon: Gagaku: Ensemble Ono / Japan: Gagaku: Ono Ensemble (p. 227)
Review by: Steven G. Nelson

West Asia

From Her Father's House: Iraqi Jewish and Arabic Song (p. 228)
Review by: Anne Van Oostrum

Vemen vestu zingen, vemen? Leibu Levin Performs in Yiddish: Select Archival Recordings from Bukovina, USSR and Israel (pp. 228-229)
Review by: Hankus Netsky

Or Haganuz: Gems of Ashkenazi Hazzanut and Yiddish Songs Revived (pp. 229-230)
Review by: Hankus Netsky

Europe

Marit Steinsrud and Stein Villa: Kammersmusikk (pp. 230-231)
Review by: Ragnheidur Olafsdottir

Ireland: Crossroads of Art and Design, 1690–1840: The Music (p. 231)
Review by: Daithí Kearney

Oceania

Chelitakl: Ongeatel Tekoi er a Belau er a Angaramong / Frühe Tonbandaufnahmen aus Palau / Early Reel-to-Reel Recordings from Palau; Sound Memories of Past Palau: Music in Belau 1965–1966; 15 Favorite Japanese-Influenced Palauan Songs / Derrebechesiil (pp. 232-233)
Review by: Brian Diettrich

Jardiwanpa Yawulya: Warlpiri Women's Songs from Yuendumu (pp. 234-235)
Review by: Elizabeth Mackinlay

Film/Video Reviews

1 Mart'tan öncesi, 1 Mart'tan sonrası [Before March 1st, After March 1st]: The Life and Music of Mansur Bildik(pp. 236-238)
Review by: Irene Markoff

Zurkhaneh—The House of Strength: Music and Martial Arts of Iran (pp. 238-240)
Review by: Liselotte Sels

Itako: Nakamura Take by Kojima Tomiko, Komoda Haruko, Sawai Kuniyuki, Sumi Miyako, and Nakayama Ichiro (pp. 240-241)
Review by: Alison Tokita

Website Reviews

Archiv für die Musik Afrikas / African Music Archives (AMA) (pp. 242-243)
Review by: Ana Cristina Almeida

Turkish Music Portal (pp. 243-244)
Review by: Hande Sağlam

Apsara Media for Intercultural Education (pp. 244-245)
Review by: Sean Norton

MIMO. Musical Instruments Museum Online (pp. 246-247)
Review by: Gisa Jähnichen

Music Vitality & Endangerment (pp. 247-249)
Review by: Heather Sparling

Sound Futures: Sustaining Music, Engaging Communities (pp. 249-250)
Review by: Jonathan P. J. Stock
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