Notes, Volume 73, Number 2, December 2016 https://muse.jhu.edu/issue/35337 Table of Contents Articles Scores, Libraries, and Web-Based, Self-Publishing Composers Kent Underwood Sketching the Symphonies: A Brief Report on Shostakovich’s Manuscripts in Moscow Laura E. Kennedy Prices of Music Monographs and Scores as Reflected in Notes, 2010–2015 Kerri Scannell Baunach Notes for Notes Donald Manildi, Mary Black Junttonen, Maristella Feustle, Deborah Campana Book Reviews American Music Folk City: New York and the American Folk Music Revival by Stephen Petrus and Ronald D. Cohen (review) Rachel Adelstein Three Songs, Three Singers, Three Nations by Greil Marcus (review) Marci Cohen Your Band Sucks: What I Saw at Indie Rock’s Failed Revolution (But Can No Longer Hear)by Jon Fine (review) Vincent J. Novara Ethnomusicology The Voice in the Drum: Music, Language, and Emotion in Islamicate South Asia by Richard K. Wolf (review) Victoria M. Dalzell Music and the Armenian Diaspora: Searching for Home in Exile by Sylvia Alajaji (review) Jeremy W. Foutz Music in Cyprus ed. by Jim Samson and Nicoletta Demetriou (review) Ivan Moody Between Nostalgia and Apocalypse: Popular Music and the Staging of Brazil by Daniel B. Sharp (review) Panayotis League Medieval and Renaissance The Monstrous New Art: Divided Forms in the Late Medieval Motet by Anna Zayaruznaya (review) Bradford Lee Eden Tactus, Mensuration, and Rhythm in Renaissance Music by Ruth I. DeFord (review) Kimberly Hieb Exoticism and the Eighteenth Century Music and the Exotic from the Renaissance to Mozart by Ralph P. Locke (review) Shay Loya Counterpoint and Partimento: Methods of Teaching Composition in Late Eighteenth-Century Naples by Peter van Tour (review) Johnandrew Slominski Music for the Stage Masques, Mayings and Music-Dramas: Vaughan Williams and the Early Twentieth-Century Stage by Roger Savage (review) Julian Onderdonk We’ll Have Manhattan: The Early Work of Rodgers and Hart by Dominic Symonds (review) Christopher Lynch Composers Hildegard of Bingen and Musical Reception: The Modern Revival of a Medieval Composerby Jennifer Bain (review) John MacInnis Beethoven: Anguish and Triumph; A Biography by Jan Swafford (review) Mark Ferraguto Gustav Mahler’s Symphonic Landscapes by Thomas Allan Peattie (review) John J. Sheinbaum Béla Bartók by David Cooper (review) Tysen Dauer British Musical Modernism: The Manchester Group and Their Contemporaries by Philip Rupprecht (review) Justin Vickers Johanna Beyer by Amy C. Beal (review) Renée McBride Instruments The Manual of Musical Instrument Conservation by Stewart Pollens (review) Robert Adelson A Dictionary for the Modern Trumpet Player by Elisa Koehler (review) Jim Farrington New Media Reviews Naxos Music Library World (review) Stephen Henry, Carlos E. Peña Hit Songs Deconstructed (review) Zoë Rath Music Reviews Music by the Forqueray Family Antoine Forqueray, Jean-Baptiste Forqueray, Michel Forqueray, Nicolas-Gilles Forquerayed. by Mary Cyr, and: Antoine Forqueray, Jean-Baptiste Forqueray, Michel Forqueray, Nicolas-Gilles Forqueray. ed. by Mary Cyr (review) Keith Cochran, Ann Shaffer Brossard’s Dramatic Works Sébastien de Brossard ed. by Jean Duron Michele Cabrini Arias for a singer from Mozart’s Vienna Arias for Stefano Mandini, Mozart’s First Count Almaviva ed. by Dorothea Link (review) Magnus Tessing Schneider Music from the Savoy Theatre Savoy Curtain-Raisers ed. by Christopher O’Brien (review) James Brooks Kuykendall _______________________________________________ AMS-Announce mailing list and bulletin board: READ THE GUIDELINES prior to submitting a post: http://www.ams-net.org/announce.php TO SEE THE ARCHIVED POSTS: http://listserv.unl.edu/cgi-bin/wa?A0=AMS-ANNOUNCE TO UNSUBSCRIBE, or switch to/from Digest mode: log in to http://listserv.unl.edu and edit your subscription.