Notes, Volume 73, Number 2, December 2016

Table of Contents


Scores, Libraries, and Web-Based, Self-Publishing Composers
Kent Underwood

Sketching the Symphonies: A Brief Report on Shostakovich’s Manuscripts in
Laura E. Kennedy

Prices of Music Monographs and Scores as Reflected in Notes, 2010–2015
Kerri Scannell Baunach

Notes for Notes
Donald Manildi, Mary Black Junttonen, Maristella Feustle, Deborah Campana

Book Reviews

American Music

Folk City: New York and the American Folk Music Revival by Stephen Petrus
and Ronald D. Cohen (review)
Rachel Adelstein

Three Songs, Three Singers, Three Nations by Greil Marcus (review)
Marci Cohen

Your Band Sucks: What I Saw at Indie Rock’s Failed Revolution (But Can No
Longer Hear)by Jon Fine (review)
Vincent J. Novara


The Voice in the Drum: Music, Language, and Emotion in Islamicate South
Asia by Richard K. Wolf (review)
Victoria M. Dalzell

Music and the Armenian Diaspora: Searching for Home in Exile by Sylvia
Alajaji (review)
Jeremy W. Foutz

Music in Cyprus ed. by Jim Samson and Nicoletta Demetriou (review)
Ivan Moody

Between Nostalgia and Apocalypse: Popular Music and the Staging of Brazil
by Daniel B. Sharp (review)
Panayotis League

Medieval and Renaissance

The Monstrous New Art: Divided Forms in the Late Medieval Motet by Anna
Zayaruznaya (review)
Bradford Lee Eden

Tactus, Mensuration, and Rhythm in Renaissance Music by Ruth I. DeFord
Kimberly Hieb

Exoticism and the Eighteenth Century

Music and the Exotic from the Renaissance to Mozart by Ralph P. Locke
Shay Loya

Counterpoint and Partimento: Methods of Teaching Composition in Late
Eighteenth-Century Naples by Peter van Tour (review)
Johnandrew Slominski

Music for the Stage

Masques, Mayings and Music-Dramas: Vaughan Williams and the Early
Twentieth-Century Stage by Roger Savage (review)
Julian Onderdonk

We’ll Have Manhattan: The Early Work of Rodgers and Hart by Dominic Symonds
Christopher Lynch


Hildegard of Bingen and Musical Reception: The Modern Revival of a Medieval
Composerby Jennifer Bain (review)
John MacInnis

Beethoven: Anguish and Triumph; A Biography by Jan Swafford (review)
Mark Ferraguto

Gustav Mahler’s Symphonic Landscapes by Thomas Allan Peattie (review)
John J. Sheinbaum

Béla Bartók by David Cooper (review)
Tysen Dauer

British Musical Modernism: The Manchester Group and Their Contemporaries by
Philip Rupprecht (review)
Justin Vickers

Johanna Beyer by Amy C. Beal (review)
Renée McBride


The Manual of Musical Instrument Conservation by Stewart Pollens (review)
Robert Adelson

A Dictionary for the Modern Trumpet Player by Elisa Koehler (review)
Jim Farrington

New Media Reviews

Naxos Music Library World (review)
Stephen Henry, Carlos E. Peña

Hit Songs Deconstructed (review)
Zoë Rath

Music Reviews

Music by the Forqueray Family

Antoine Forqueray, Jean-Baptiste Forqueray, Michel Forqueray,
Nicolas-Gilles Forquerayed. by Mary Cyr, and: Antoine Forqueray,
Jean-Baptiste Forqueray, Michel Forqueray, Nicolas-Gilles Forqueray. ed. by
Mary Cyr (review)
Keith Cochran, Ann Shaffer

Brossard’s Dramatic Works

Sébastien de Brossard ed. by Jean Duron
Michele Cabrini

Arias for a singer from Mozart’s Vienna

Arias for Stefano Mandini, Mozart’s First Count Almaviva ed. by Dorothea
Link (review)
Magnus Tessing Schneider

Music from the Savoy Theatre

Savoy Curtain-Raisers ed. by Christopher O’Brien (review)
James Brooks Kuykendall


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