Print

---

Notes, Volume 73, Number 2, December 2016

https://muse.jhu.edu/issue/35337

Table of Contents

Articles

Scores, Libraries, and Web-Based, Self-Publishing Composers
Kent Underwood

Sketching the Symphonies: A Brief Report on Shostakovich’s Manuscripts in Moscow
Laura E. Kennedy

Prices of Music Monographs and Scores as Reflected in Notes, 2010–2015
Kerri Scannell Baunach

Notes for Notes
Donald Manildi, Mary Black Junttonen, Maristella Feustle, Deborah Campana

Book Reviews

American Music

Folk City: New York and the American Folk Music Revival by Stephen Petrus and Ronald D. Cohen (review)
Rachel Adelstein

Three Songs, Three Singers, Three Nations by Greil Marcus (review)
Marci Cohen

Your Band Sucks: What I Saw at Indie Rock’s Failed Revolution (But Can No Longer Hear)by Jon Fine (review)
Vincent J. Novara

Ethnomusicology

The Voice in the Drum: Music, Language, and Emotion in Islamicate South Asia by Richard K. Wolf (review)
Victoria M. Dalzell

Music and the Armenian Diaspora: Searching for Home in Exile by Sylvia Alajaji (review)
Jeremy W. Foutz

Music in Cyprus ed. by Jim Samson and Nicoletta Demetriou (review)
Ivan Moody

Between Nostalgia and Apocalypse: Popular Music and the Staging of Brazil by Daniel B. Sharp (review)
Panayotis League

Medieval and Renaissance

The Monstrous New Art: Divided Forms in the Late Medieval Motet by Anna Zayaruznaya (review)
Bradford Lee Eden

Tactus, Mensuration, and Rhythm in Renaissance Music by Ruth I. DeFord (review)
Kimberly Hieb

Exoticism and the Eighteenth Century

Music and the Exotic from the Renaissance to Mozart by Ralph P. Locke (review)
Shay Loya

Counterpoint and Partimento: Methods of Teaching Composition in Late Eighteenth-Century Naples by Peter van Tour (review)
Johnandrew Slominski

Music for the Stage

Masques, Mayings and Music-Dramas: Vaughan Williams and the Early Twentieth-Century Stage by Roger Savage (review)
Julian Onderdonk

We’ll Have Manhattan: The Early Work of Rodgers and Hart by Dominic Symonds (review)
Christopher Lynch

Composers

Hildegard of Bingen and Musical Reception: The Modern Revival of a Medieval Composerby Jennifer Bain (review)
John MacInnis

Beethoven: Anguish and Triumph; A Biography by Jan Swafford (review)
Mark Ferraguto

Gustav Mahler’s Symphonic Landscapes by Thomas Allan Peattie (review)
John J. Sheinbaum

Béla Bartók by David Cooper (review)
Tysen Dauer

British Musical Modernism: The Manchester Group and Their Contemporaries by Philip Rupprecht (review)
Justin Vickers

Johanna Beyer by Amy C. Beal (review)
Renée McBride

Instruments

The Manual of Musical Instrument Conservation by Stewart Pollens (review)
Robert Adelson

A Dictionary for the Modern Trumpet Player by Elisa Koehler (review)
Jim Farrington

New Media Reviews

Naxos Music Library World (review)
Stephen Henry, Carlos E. Peña

Hit Songs Deconstructed (review)
Zoë Rath