Rock Music Studies, Volume 4, Issue 1, February 2017
American Rock Journalism
This new issue contains the following articles:
Introduction
Marcel Hartwig & Ulf Schulenberg
Present at the Creation
Richard Goldstein
“Visions and Versions of America”: Greil Marcus’s Rock Journalism as Cultural Criticism
Ulf Schulenberg
Rise Above: Nostalgia and Authenticity in Representations of 1980s Indie Rock and Hardcore Punk
Hans Frese
What Is the “American” in “American Music Journalism”?
Julian Weber
The Authenticity of a T-shirt: Ryan Gosling, Roddy Dangerblood, and the Rebellious Genealogy of Thrasher Magazine
Konstantin Butz
“We Can Always Empathize with Ourselves”: Pastiche, Parody, and Rock Journalism in Bret Easton Ellis’s American Psycho (1991) and Kanye West’s Yeezus (2013)
Marcel Hartwig
Book Reviews
1965: The Most Revolutionary Year in Music
B. Lee Cooper
Rock, Counterculture and the Avant-Garde, 1966-1970: How the Beatles, Frank Zappa and the Velvet Underground Defined an Era
John Littlejohn
Do You Want To Know A Secret: The Autobiography of Billy J. Kramer
Ian Inglis
The Band: Pioneers of Americana Music
Daniel Cross Turner
The Beatles and the Historians: An Analysis of Writings about the Fab Four
B. Lee Cooper
Audio Reviews
Directly from My Heart: The Best of the Specialty and Vee-Jay Years
B. Lee Cooper
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