We invite contributions from scholars of music, literature, theater, and digital humanities interested in “intermedia” approaches to sixteenth- and seventeenth-century English song and its performance—that is, methodologies that foreground points of connection between music, lyric, and performance, and their presentations and transformations across different media. Proposals could outline new ways of conceiving of song’s media and performance history, discuss formats or methodologies for curating song, reflect upon book history and media studies as they pertain to song, or consider the role of the digital humanities in scholarship on early modern song. The conference will incorporate a range of formats, including traditional paper sessions, roundtable discussions, and digital media presentations.
Featured keynote speakers include Patricia Fumerton (Professor of English, University of California, Santa Barbara), Whitney Trettien (Assistant Professor of English, University of Pennsylvania), and Amanda Eubanks Winkler (Associate Professor of Music History and Cultures, Syracuse University).
Formal presentations will be limited to 20 minutes each, and digital salon or poster session pieces may be on display for a longer period. Please indicate the desired format of your proposal and include a clear statement of its originality and significance. Proposals should not exceed 300 words and should include the following information: contributor’s full name and contact information, institutional affiliation or city, academic status, nationality, and any audio/visual requests.
Proposals should be sent via email in Word format by midnight EST on 15 April 2018 to the Program Committee at earlymodernsongscapes -at- gmail.com with the subject “Early Modern Songscapes Proposal.”
Program Committee: Katherine Larson, University of Toronto; Scott Trudell, University of Maryland; and Sarah F. Williams, University of South Carolina.