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American Music, Vol. 37, No. 1, Spring 2019

https://urldefense.proofpoint.com/v2/url?u=https-3A__www.jstor.org_journal_americanmusic&d=DwIFaQ&c=Cu5g146wZdoqVuKpTNsYHeFX_rg6kWhlkLF8Eft-wwo&r=PHu0YcldevQqIedM86l0iexbqE-AeZLl-lupNToNx6I&m=t18ZCFma57i5MoQ9Q8P0O2l9f1K3ufglM81-jHR0lpM&s=F1gDR17TCGlvuwypnT3WMzlX7289aYZrRK-iKwqRkrk&e=

ARTICLES

“Adding to the Pictures”: The American Film Prologue in the 1920s
Mary Simonson

“Rough! Tough! Real Stuff!”: Music, Militarism, and Masculinity in American
College Football
John Michael McCluskey

Operatic Borrowing in Stephen Sondheim's <em>Sweeney Todd</em>
Paige Zalman

Finding Armenia in Alan Hovhaness's Symphony No. 8 (Arjuna) and Madras
Sonata
Rachel Chacko

New Orleans Rhythm and Blues, African American Tourism, and the Selling of
a Progressive South
Christopher Coady

REVIEWS

Orchestrating the Nation: The Nineteenth-Century American Symphonic
Enterprise by Douglas W. Shadle
Review by: Sarah Gerk

Freedom Highway by Rhiannon Giddens
Review by: Mark Y. Miyake

Beyond the Crossroads: The Devil and the Blues Tradition by Adam Gussow
Review by: Edward Komara


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