Print

Print


Journal of the Royal Musical Association, Volume 144, Issue 1, May 2019

https://urldefense.proofpoint.com/v2/url?u=https-3A__www.tandfonline.com_toc_rrma20_144_1&d=DwIFaQ&c=Cu5g146wZdoqVuKpTNsYHeFX_rg6kWhlkLF8Eft-wwo&r=PHu0YcldevQqIedM86l0iexbqE-AeZLl-lupNToNx6I&m=3RoUB1V91Brg6tOasATf08EyvnQyBgsiTsygCDmSdbE&s=ifuVDuzGY1FB_vuGHm_Y5FkXpHDJPrzMO5I2u4gwZ2g&e=

Articles

Mudge’s Medley Concerto
Ronnie Gibson & Michael Talbot

Beyond Verismo: Massenet’s La Navarraise and ‘Realism’ in Fin-de-siècle
Paris
Charlotte Bentley

Origins of a Menschendarstellerin: Characterization and Operatic
Performance in Fin-de-siècle Vienna
Melanie Gudesblatt

Dresden’s Musical Ruins
Martha Sprigge

Boris Asafiev in 1948
Patrick Zuk

Remediating Modernism: On the Digital Ends of Montreal’s Electroacoustic
Tradition
Patrick Valiquet

Review Articles

Music Together, Music Apart: On Democratic Communities
Robert Adlington

Opening the Music Box
Alexander Rehding

Buying and Selling Music in the (Very) Long Nineteenth Century
Natasha Loges


_______________________________________________

AMS-Announce mailing list and bulletin board:

READ THE GUIDELINES prior to submitting a post: http://www.amsmusicology.org/page/announce

TO SEE THE ARCHIVED POSTS: https://LISTSERV.UNL.EDU/cgi-bin/wa?A0=AMS-ANNOUNCE

TO UNSUBSCRIBE, or switch to/from Digest mode: log in to https://LISTSERV.UNL.EDU and edit your subscription.

AMS-Announce: A service of the American Musicological Society, www.amsmusicology.org