Journal of the Royal Musical Association, Volume 144, Issue 1, May 2019


Mudge’s Medley Concerto
Ronnie Gibson & Michael Talbot

Beyond Verismo: Massenet’s La Navarraise and ‘Realism’ in Fin-de-siècle Paris
Charlotte Bentley

Origins of a Menschendarstellerin: Characterization and Operatic Performance in Fin-de-siècle Vienna
Melanie Gudesblatt

Dresden’s Musical Ruins
Martha Sprigge

Boris Asafiev in 1948
Patrick Zuk

Remediating Modernism: On the Digital Ends of Montreal’s Electroacoustic Tradition
Patrick Valiquet

Review Articles

Music Together, Music Apart: On Democratic Communities
Robert Adlington

Opening the Music Box
Alexander Rehding

Buying and Selling Music in the (Very) Long Nineteenth Century
Natasha Loges

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