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Journal of World Popular Music 6.1 (2019)

https://urldefense.proofpoint.com/v2/url?u=http-3A__equinoxpub.com_JWPM&d=DwIFaQ&c=Cu5g146wZdoqVuKpTNsYHeFX_rg6kWhlkLF8Eft-wwo&r=PHu0YcldevQqIedM86l0iexbqE-AeZLl-lupNToNx6I&m=Ho4Ib0ARYr7f4INvz0Ecgh8tlNGWBhtrzz2hWsc9SZA&s=YV00oReNP_xo0EXBDnklLPHc2yCrfbq2ikLQm9FWpRs&e= 

Editorial
Editors’ Introduction
Simone Krüger Bridge , Nicholas Tochka , Abi Dunnett

Articles

Popular Song Afterlives: Oral Transmission and Mundane Creativity in Street
Performances of Chinese Pop Classics
Samuel Horlor

Sounding Dublin: Mapping Popular Music Experience in the City
John O'Flynn , Áine Mangaoang

From Worldbeat to Localbeat: Towards a Theory of the Transformation of
Music from the Borrowed to the Local
Wonderful Godwin Bere

Rehearsing the Éthnik-Jazz Aesthetic: Insights from Practices with Athenian
Musicians
Ioannis Tsioulakis

Reviews

Martha Tupinambá de Ulhôa, Cláudia Azevedo and Felipe Trotta, eds. Made in
Brazil: Studies in Popular Music
Vincenzo Perna

Barbara Browning. A Foreign Sound
Andrew Snyder

Christina Sunardi. Stunning Males and Powerful Females: Gender and
Tradition in East Javanese Dance
Dane L. Harwood

Peter Gough. Sounds of the New Deal: The Federal Music Project in the West
Daniel Margolies

Christopher Partridge. Dub in Babylon: Understanding the Evolution and
Significance of Dub Reggae in Jamaica and Britain from King Tubby to
Post-punk
Lewis Tennant
Editor
Simone Krüger Bridge
Liverpool John Moores University, UK

Reviews Editor
Nicholas Tochka
The University of Melbourne, Australia

Editorial Assistant
Abi Dunnett
Liverpool John Moores University, United Kingdom


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