Journal of World Popular Music 6.1 (2019)

Editors’ Introduction
Simone Krüger Bridge , Nicholas Tochka , Abi Dunnett


Popular Song Afterlives: Oral Transmission and Mundane Creativity in Street Performances of Chinese Pop Classics
Samuel Horlor

Sounding Dublin: Mapping Popular Music Experience in the City
John O'Flynn , Áine Mangaoang

From Worldbeat to Localbeat: Towards a Theory of the Transformation of Music from the Borrowed to the Local
Wonderful Godwin Bere

Rehearsing the Éthnik-Jazz Aesthetic: Insights from Practices with Athenian Musicians
Ioannis Tsioulakis


Martha Tupinambá de Ulhôa, Cláudia Azevedo and Felipe Trotta, eds. Made in Brazil: Studies in Popular Music
Vincenzo Perna

Barbara Browning. A Foreign Sound
Andrew Snyder

Christina Sunardi. Stunning Males and Powerful Females: Gender and Tradition in East Javanese Dance
Dane L. Harwood

Peter Gough. Sounds of the New Deal: The Federal Music Project in the West
Daniel Margolies

Christopher Partridge. Dub in Babylon: Understanding the Evolution and Significance of Dub Reggae in Jamaica and Britain from King Tubby to Post-punk
Lewis Tennant
Simone Krüger Bridge
Liverpool John Moores University, UK

Reviews Editor
Nicholas Tochka
The University of Melbourne, Australia

Editorial Assistant
Abi Dunnett
Liverpool John Moores University, United Kingdom

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