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The Opera Quarterly Volume 34/Issue 4, Autumn 2018 https://urldefense.proofpoint.com/v2/url?u=https-3A__academic.oup.com_oq_issue_34_4&d=DwIFaQ&c=Cu5g146wZdoqVuKpTNsYHeFX_rg6kWhlkLF8Eft-wwo&r=PHu0YcldevQqIedM86l0iexbqE-AeZLl-lupNToNx6I&m=9KoIVklWXR2Mi2nxezkPZmoc7l62FdrCgGftdQ6RVng&s=_s_yFIxNheWYfMLXw9h36oN_Me_SUamZ45nkVC3XR58&e= Opera at the Multiplex A Note from the Guest Editors CHRISTOPHER MORRIS and JOSEPH ATTARD Articles The Aura of Opera Reproduced: Fantasies and Traps in the Age of the Cinecast JOÃO PEDRO CACHOPO Massenet for the Masses? The Opera Virgins Project JOSEPH ATTARD The Labor of Liveness: Behind the Curtain of Opera Cinema SARAH ATKINSON Technology, Liveness, and Presence in Straub-Huillet's Film of Schoenberg's Von Heute auf Morgen MARTIN BRADY Articulations "Opera Cinema, the Modern Gesamtkunstwerk?": Jonathan Haswell, John Fulljames, and Corinne Winters in Conversation with Eleonra Sammartino Review Colloquy The Exterminating Angel CHRISTOPHER MORRIS, ÁINE SHEIL, CANDIDA MANTICA, JOÃO PEDRO CACHOPO, LAURA TUNBRIDGE, and FRANCESCA PLACANICA _______________________________________________ AMS-Announce mailing list and bulletin board: WANT TO SUBMIT A POST? See: http://www.amsmusicology.org/page/announce TO SEE THE ARCHIVED POSTS: https://LISTSERV.UNL.EDU/cgi-bin/wa?A0=AMS-ANNOUNCE TO UNSUBSCRIBE, or switch to/from Digest mode: log in to https://LISTSERV.UNL.EDU and edit your subscription. AMS-Announce: A service of the American Musicological Society, www.amsmusicology.org