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The Opera Quarterly Volume 34/Issue 4, Autumn 2018

https://urldefense.proofpoint.com/v2/url?u=https-3A__academic.oup.com_oq_issue_34_4&d=DwIFaQ&c=Cu5g146wZdoqVuKpTNsYHeFX_rg6kWhlkLF8Eft-wwo&r=PHu0YcldevQqIedM86l0iexbqE-AeZLl-lupNToNx6I&m=9KoIVklWXR2Mi2nxezkPZmoc7l62FdrCgGftdQ6RVng&s=_s_yFIxNheWYfMLXw9h36oN_Me_SUamZ45nkVC3XR58&e= 

Opera at the Multiplex

A Note from the Guest Editors
CHRISTOPHER MORRIS and JOSEPH ATTARD

Articles
The Aura of Opera Reproduced: Fantasies and Traps in the Age of the Cinecast
JOÃO PEDRO CACHOPO

Massenet for the Masses? The Opera Virgins Project
JOSEPH ATTARD

The Labor of Liveness: Behind the Curtain of Opera Cinema
SARAH ATKINSON

Technology, Liveness, and Presence in Straub-Huillet's Film of Schoenberg's
Von Heute auf Morgen
MARTIN BRADY

Articulations
"Opera Cinema, the Modern Gesamtkunstwerk?": Jonathan Haswell, John
Fulljames, and Corinne Winters in Conversation with Eleonra Sammartino

Review Colloquy
The Exterminating Angel
CHRISTOPHER MORRIS, ÁINE SHEIL, CANDIDA MANTICA, JOÃO PEDRO CACHOPO, LAURA
TUNBRIDGE, and FRANCESCA PLACANICA


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