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Women & Music, Volume 23, 2019
Edited by Emily Wilbourne

https://urldefense.proofpoint.com/v2/url?u=https-3A__muse.jhu.edu_issue_40846&d=DwIFaQ&c=Cu5g146wZdoqVuKpTNsYHeFX_rg6kWhlkLF8Eft-wwo&r=PHu0YcldevQqIedM86l0iexbqE-AeZLl-lupNToNx6I&m=fhZPPBoFJny5UY12us6EKzBfG-GBjeJSv-8VfQR_pcs&s=UsI9bsjg1cpJCYDkRSdvu0_kOO1s6d-oNsOyt_E4cy0&e= 

writing rationally after rape: experiencing knowledge production in an
academic music context
Claire McGinn

Acoustic Patriarchy: Hearing Gender Violence in Mexico City’s Public Spaces
Anthony W. Rasmussen

Episode 8
Laura R. Schwartz

Women of, for, and at the Wall: A Performative Analysis of Gender Politics
at the Western Wall in Jerusalem
Tanya Sermer

The Voice
Atefeh Einali

Music as Mission: Hierarchies of Sound and Difference
Lauren Eldridge Stewart

(mis)gendering
Sandow Isha Sinai

A Queer Organology of the Pedal Harp
Henry Spiller

Chris and Gabe
Gerald Gurss

“Da uomo”: Querying Gender and Sexuality in Mozart’s La clemenza di Tito
Ilana Walder-Biesanz

Eye o da Hurricane for string quartet (2017)
Angela Elizabeth Slater

Not Playing Properly: Amateurism as Generic Choice in Three Postpunk Case
Studies: The Slits, Lora Logic, and the Raincoats
Mimi Haddon

Contrapartes
Ivonne Hernández

“Near to Reality, but Not Quite”: Lena Ashwell’s Concerts at the Front
during the First World War
Vanessa Williams

Reviews
The Great Woman Singer: Gender and Voice in Puerto Rican Music, by Licia
Fiol-Matta
Reviewed by Jessica C. Hajek

Libby Larsen: Composing an American Life, by Denise Von Glahn
Reviewed by Nomi Epstein


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