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MUSIC & THE MOVING IMAGE CONFERENCE XVI

Conference at NYU Steinhardt: Friday May 29th - Sunday May 31st, 2020

The annual Music and the Moving Image Conference encourages submissions
from scholars and practitioners that explore the relationship between the
entire universe of moving images (film, television, video games, iPhone,
computer, and live performances) and that of music and sound through paper
presentations. We encourage submissions from multidisciplinary teams that
have been pooling their knowledge to solve problems or come up with a new
perspective regarding music and moving images.

The Keynote Speaker is Blake Neely (Composer for the DC Universe: The
Arrow, The Flash, Supergirl, DC Legends of Tomorrow. IMDB)Abstracts or
synopses of papers (250 words or fewer) should be submitted by no later
than December 15, 2019. You can submit via Jotform by clicking the link
here: https://urldefense.proofpoint.com/v2/url?u=https-3A__form.jotform.com_92484019842159&d=DwIFaQ&c=Cu5g146wZdoqVuKpTNsYHeFX_rg6kWhlkLF8Eft-wwo&r=PHu0YcldevQqIedM86l0iexbqE-AeZLl-lupNToNx6I&m=2a2UgD4EO1RhOFfWKqXRUR-TOmJqGij1JO_kpow56Ww&s=9sIER_qRXcFfoqGwCoXOqllG4AdjFNfgKL1VUX2tBxM&e= 

The program committee includes Daniel Goldmark — Case Western Reserve
University (Tunes for ‘Toons: Music and the Hollywood Cartoon; California,
2005, Korngold and His World; Princeton, 2019), Jessica Shine — Cork
Institute of Technology (‘Compilation Score and Transdiegetic Music: How
Music Helps Give Voice to the Voiceless’; McFarland, 2018, “One Minute of
Everything at Once”: How Music Shapes the World of BBC’s Peaky Blinders
(2013)’. Musicology Research, 2017), Kate Galloway — Rensselaer Polytechnic
Institute (Soundwalking and the Aurality of Stardew Valley: An Ethnography
of Listening to and Interacting with Environmental Game Audio;” Routledge,
2019, “Remixing the Environment: Climate Change, Rhythm Science, and DJ
Spooky’s Digging in the Landscapes;” Oxford, 2019.), John Covach — Eastman
School of Music (What's That Sound? An Introduction to Rock and Its
History, 5th edition (Norton, 2018); The Cambridge Companion to the Rolling
Stones (Cambridge University Press, 2019) and co-editors of Music and the
Moving Image, Gillian B. Anderson — orchestral conductor (Rosita at the
Venice Film Festival, Composing for the Cinema, Music for Silent Film
1892-1929: A Guide); and Assoc. Professor, Director & Chair, Ron Sadoff —
New York University (The Moon and the Son / Co-editor of Routledge
Companion to Screen Music and Sound).

This year’s conference will run for three days, from Friday May 29th -
Sunday, May 31st, with sessions until Sunday evening.

E-mail mamiconference -at- nyu.edu for more information.


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