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Journal of Seventeenth-Century Music, Volume 25 (2019) No. 1,
https://urldefense.proofpoint.com/v2/url?u=https-3A__sscm-2Djscm.org_jscm-2Dissues_volume-2D25-2Dno-2D1_&d=DwIFaQ&c=Cu5g146wZdoqVuKpTNsYHeFX_rg6kWhlkLF8Eft-wwo&r=PHu0YcldevQqIedM86l0iexbqE-AeZLl-lupNToNx6I&m=34LCm6FVdiafOSP5dDpCou4ovQa4PkLyNDE58s1uMLw&s=NCSnR3iIN0ICi44X6KgQKCHN8ugTiD8Tc4oYgKrh1Ts&e= 
In memoriam Robert F. Judd (1956–2019)
Table of Contents
Twenty-fifth Anniversary Reflections
• "An Anniversary Note from the Editor: Remembering the Beginning": Lois
Rosow
• "Historical and Personal Perspectives": Alexander Silbiger, Kerala J.
Snyder, Margaret Murata, Brent Wissick, and Tim Carter
• "The Editors Speak: A Documentary Video": Lois Rosow, with Kerala J.
Snyder, Bruce Gustafson, and Kelley Harness
Articles
• Jeffrey Kurtzman: "Another Example of Monteverdi’s Self-borrowing: The
First Dixit Dominus in the Messa a quattro voci et salmi (1650) and the
Dixit Dominus primo of the Selva morale et spirituale (1641)"
• Nicholas Till: "'A Free and Knightly Art': Monteverdi’s Toccata for Orfeo
and the Neo-Chivalric Ideal in Early Seventeenth-Century Italy"
• Naomi Barker: "Mottos and Metaphors: Towards an Interpretation of the
Emblems in Frescobaldi’s Primo libro d’arie musicali"
• Derek Stauff: "Monteverdi and Scacchi in Breslau: Madrigal Contrafacta in
a Time of Conflict"
Book Reviews
• Weil es ein zierlich und lieblich ja nobilitiert Instrument ist: Der
Resonanzraum der Laute und musikalische Repräsentation am Wolfenbütteler
Herzogshof 1580–1625. By Sigrid Wirth. Wiesbaden: Harrassowitz, 2017.
Reviewed by Alex Fisher.
• A Sociable Moment: Opera and Festive Culture in Baroque Siena. By Colleen
Reardon. New York: Oxford University Press, 2016. Reviewed by Beth L.
Glixon.
• Fuga Satanae: Musique et démonologie à l’aube des temps modernes. By
Laurence Wuidar. Geneva: Droz, 2018. Reviewed by Catherine Gordon.
• Dance and Drama in French Baroque Opera: A History. By Rebecca
Harris-Warrick. Cambridge, UK: Cambridge University Press, 2016. Reviewed
by Graham Sadler.
• Matthias Weckman: Das Leben des Hamburger Jacobi-Organisten und sein
Schaffen für die Vox Humana. By Heiko Maus. Nordhausen: T. Bautz GmbH,
2016. Reviewed by Alexander Silbiger.
• The Well-Travelled Musician: John Sigismond Cousser and Musical Exchange
in Baroque Europe. By Samantha Owens. Woodbridge, UK: Boydell, 2017.
Reviewed by Arne Spohr.
• Heinrich Schütz. Hochzeitsmusiken. Edited by Joshua Rifkin, with the
assistance of Hope Ehn, Eva Linfield, David St. George, and Jean Widaman.
In Neue Ausgabe sämtlicher Werke, vol. 29. Kassel: Bärenreiter, 2016.
Reviewed by Mara R. Wade.


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