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Jazz Research Journal
Issue 13.1-2 (2019)

Special Issue: Jazz and Everyday Aesthetics
Edited by: Roger Fagge and Nicholas Gebhardt
https://urldefense.proofpoint.com/v2/url?u=https-3A__journals.equinoxpub.com_JAZZ_issue_view_Jazz-2520and-2520Everyday-2520Aesthetics&d=DwIFaQ&c=Cu5g146wZdoqVuKpTNsYHeFX_rg6kWhlkLF8Eft-wwo&r=PHu0YcldevQqIedM86l0iexbqE-AeZLl-lupNToNx6I&m=6g-5-BNAS8fAl9Dx3OQAhwqd4b02MGcsh7jSjiNEsbQ&s=EMGb69BrQnyveCzd2681x7MHPyOoFUa_CPpMturBXaE&e= 

Editorial (open access)
Editorial <https://urldefense.proofpoint.com/v2/url?u=https-3A__journals.equinoxpub.com_JAZZ_article_view_40244&d=DwIFaQ&c=Cu5g146wZdoqVuKpTNsYHeFX_rg6kWhlkLF8Eft-wwo&r=PHu0YcldevQqIedM86l0iexbqE-AeZLl-lupNToNx6I&m=6g-5-BNAS8fAl9Dx3OQAhwqd4b02MGcsh7jSjiNEsbQ&s=2dQ0BNeyQawLKrEv58XdRxLE1ao8QYQSCHQGs_nf0jc&e= >
Roger Fagge, Nicholas Gebhardt

Articles
The politics, aesthetics and dissonance of music in everyday life
<https://urldefense.proofpoint.com/v2/url?u=https-3A__journals.equinoxpub.com_JAZZ_article_view_39944&d=DwIFaQ&c=Cu5g146wZdoqVuKpTNsYHeFX_rg6kWhlkLF8Eft-wwo&r=PHu0YcldevQqIedM86l0iexbqE-AeZLl-lupNToNx6I&m=6g-5-BNAS8fAl9Dx3OQAhwqd4b02MGcsh7jSjiNEsbQ&s=JnKQrwH2I8bLZz3tfWD06fgtEwZVkLUD7w-LOMyTJME&e= >
Roger Fagge

‘9-TO-5, WENT TO COLLEGE, NOT 2-NITE HOMEY BLUES’: Jazz and the American
mundane in Jean-Michel Basquiat’s writing
<https://urldefense.proofpoint.com/v2/url?u=https-3A__journals.equinoxpub.com_JAZZ_article_view_37810&d=DwIFaQ&c=Cu5g146wZdoqVuKpTNsYHeFX_rg6kWhlkLF8Eft-wwo&r=PHu0YcldevQqIedM86l0iexbqE-AeZLl-lupNToNx6I&m=6g-5-BNAS8fAl9Dx3OQAhwqd4b02MGcsh7jSjiNEsbQ&s=SJHp9C9aWzvEuqF6qnn_b5a1EtOBn0kVsFlfVPAcJ_Y&e= >
Ellen O'Donoghue Oddy

What can everyday aesthetics teach us about jazz practice?
<https://urldefense.proofpoint.com/v2/url?u=https-3A__journals.equinoxpub.com_JAZZ_article_view_38246&d=DwIFaQ&c=Cu5g146wZdoqVuKpTNsYHeFX_rg6kWhlkLF8Eft-wwo&r=PHu0YcldevQqIedM86l0iexbqE-AeZLl-lupNToNx6I&m=6g-5-BNAS8fAl9Dx3OQAhwqd4b02MGcsh7jSjiNEsbQ&s=FHQId99trkiAi6XgH1HNAGE5EltJIKOcY5hLcejbUDc&e= >
Michael Fletcher

Russia and the Creation of Jazz in the British Everyday Imaginary
<https://urldefense.proofpoint.com/v2/url?u=https-3A__journals.equinoxpub.com_JAZZ_article_view_37811&d=DwIFaQ&c=Cu5g146wZdoqVuKpTNsYHeFX_rg6kWhlkLF8Eft-wwo&r=PHu0YcldevQqIedM86l0iexbqE-AeZLl-lupNToNx6I&m=6g-5-BNAS8fAl9Dx3OQAhwqd4b02MGcsh7jSjiNEsbQ&s=PSys9MtJL7F3Ut2qct9S2pAoI2A1NQIaGVgoUf-6WN0&e= >
Robert Lawson-Peebles

Christian Scott aTunde Adjuah’s critique of the Danziger Bridge shootings
<https://urldefense.proofpoint.com/v2/url?u=https-3A__journals.equinoxpub.com_JAZZ_article_view_37660&d=DwIFaQ&c=Cu5g146wZdoqVuKpTNsYHeFX_rg6kWhlkLF8Eft-wwo&r=PHu0YcldevQqIedM86l0iexbqE-AeZLl-lupNToNx6I&m=6g-5-BNAS8fAl9Dx3OQAhwqd4b02MGcsh7jSjiNEsbQ&s=vZTboIgPXQkCTajeGsdjpHh1UcfLbQ3j4vGpmKmsUjc&e= >
James Gordon Williams

Jazz, space and labor: Mixed media aestheticization of work songs in Jason
Moran’s STAGED <https://urldefense.proofpoint.com/v2/url?u=https-3A__journals.equinoxpub.com_JAZZ_article_view_37803&d=DwIFaQ&c=Cu5g146wZdoqVuKpTNsYHeFX_rg6kWhlkLF8Eft-wwo&r=PHu0YcldevQqIedM86l0iexbqE-AeZLl-lupNToNx6I&m=6g-5-BNAS8fAl9Dx3OQAhwqd4b02MGcsh7jSjiNEsbQ&s=Dcpe5IsAIibqQQb6QkbPD9r9dcs_MVYtkE2HCWD6pc0&e= >
Kimberly Hannon Teal

Rhythm Clubs, record series, and the everyday connoisseurship of ‘hot
rhythm’ records in interwar Britain
<https://urldefense.proofpoint.com/v2/url?u=https-3A__journals.equinoxpub.com_JAZZ_article_view_37806&d=DwIFaQ&c=Cu5g146wZdoqVuKpTNsYHeFX_rg6kWhlkLF8Eft-wwo&r=PHu0YcldevQqIedM86l0iexbqE-AeZLl-lupNToNx6I&m=6g-5-BNAS8fAl9Dx3OQAhwqd4b02MGcsh7jSjiNEsbQ&s=F1VD5dsP9Zj0LHLumiHwdqeUARgsyUyC0HaZeoyl1Ms&e= >
Lawrence Davies

Jazzing through the luminiferous ether: How international radio broadcasts
affected the experience of jazz in 1920s–1930s New Zealand
<https://urldefense.proofpoint.com/v2/url?u=https-3A__journals.equinoxpub.com_JAZZ_article_view_37953&d=DwIFaQ&c=Cu5g146wZdoqVuKpTNsYHeFX_rg6kWhlkLF8Eft-wwo&r=PHu0YcldevQqIedM86l0iexbqE-AeZLl-lupNToNx6I&m=6g-5-BNAS8fAl9Dx3OQAhwqd4b02MGcsh7jSjiNEsbQ&s=RIo_qAZV7DnFgKFgFu5fTg2YDk4d4SOBNIuoAoXt0G4&e= >
Aleisha Ward

Grappling with Grappelli: Contemporary jazz violin pedagogy and the legacy
of gypsy jazz <https://urldefense.proofpoint.com/v2/url?u=https-3A__journals.equinoxpub.com_JAZZ_article_view_37944&d=DwIFaQ&c=Cu5g146wZdoqVuKpTNsYHeFX_rg6kWhlkLF8Eft-wwo&r=PHu0YcldevQqIedM86l0iexbqE-AeZLl-lupNToNx6I&m=6g-5-BNAS8fAl9Dx3OQAhwqd4b02MGcsh7jSjiNEsbQ&s=VYiK50uW8yeidc6UP-lDORE5BVUfqPn5d2WqyjxA-4Q&e= >
Tom Sykes, Ari Poutiainen

‘Mississippi, My Home’: Songwriting, identity and everyday aesthetics in
the African-American tradition
<https://urldefense.proofpoint.com/v2/url?u=https-3A__journals.equinoxpub.com_JAZZ_article_view_39374&d=DwIFaQ&c=Cu5g146wZdoqVuKpTNsYHeFX_rg6kWhlkLF8Eft-wwo&r=PHu0YcldevQqIedM86l0iexbqE-AeZLl-lupNToNx6I&m=6g-5-BNAS8fAl9Dx3OQAhwqd4b02MGcsh7jSjiNEsbQ&s=KsKxzV7azLi855IysqWh2D5SAQyRg-OYxmdE4rDe6Jc&e= >
Josep Pedro, Begoña Gutiérrez-Martínez

‘What to do over the week-end’: Towards an understanding of distraction,
advertising and newspaper coverage of the Kansas City jazz scene in the
1930s <https://urldefense.proofpoint.com/v2/url?u=https-3A__journals.equinoxpub.com_JAZZ_article_view_39106&d=DwIFaQ&c=Cu5g146wZdoqVuKpTNsYHeFX_rg6kWhlkLF8Eft-wwo&r=PHu0YcldevQqIedM86l0iexbqE-AeZLl-lupNToNx6I&m=6g-5-BNAS8fAl9Dx3OQAhwqd4b02MGcsh7jSjiNEsbQ&s=7HUqBkmLr6ZzM-DfAGzA0Sa-uVh43gFmgYAB2m4qZYs&e= >
Anthony J. Bushard

Everyday jazz life: A photographic project on contemporary jazz musicians’
lives in Birmingham
<https://urldefense.proofpoint.com/v2/url?u=https-3A__journals.equinoxpub.com_JAZZ_article_view_39943&d=DwIFaQ&c=Cu5g146wZdoqVuKpTNsYHeFX_rg6kWhlkLF8Eft-wwo&r=PHu0YcldevQqIedM86l0iexbqE-AeZLl-lupNToNx6I&m=6g-5-BNAS8fAl9Dx3OQAhwqd4b02MGcsh7jSjiNEsbQ&s=dp3kvccjanGkuxC42qCm6rk4bSJT4HALtt-87Oa6iNg&e= >
Pedro Cravinho, Brian Homer

Extended play: A history of listenings
<https://urldefense.proofpoint.com/v2/url?u=https-3A__journals.equinoxpub.com_JAZZ_article_view_39661&d=DwIFaQ&c=Cu5g146wZdoqVuKpTNsYHeFX_rg6kWhlkLF8Eft-wwo&r=PHu0YcldevQqIedM86l0iexbqE-AeZLl-lupNToNx6I&m=6g-5-BNAS8fAl9Dx3OQAhwqd4b02MGcsh7jSjiNEsbQ&s=h2iBoRO7n5lW_q5JvPZLygkWltVP1StH4kRnOElGn1k&e= >
Sarah Raine

Living with music: Departures and returns among early New Orleans jazz
musicians <https://urldefense.proofpoint.com/v2/url?u=https-3A__journals.equinoxpub.com_JAZZ_article_view_39941&d=DwIFaQ&c=Cu5g146wZdoqVuKpTNsYHeFX_rg6kWhlkLF8Eft-wwo&r=PHu0YcldevQqIedM86l0iexbqE-AeZLl-lupNToNx6I&m=6g-5-BNAS8fAl9Dx3OQAhwqd4b02MGcsh7jSjiNEsbQ&s=xGIRZ9mt_37u04a4KsMAtKW-NZC5dd_itKflqVNsPyg&e= >
Nicholas Gebhardt


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