Music Theory and Analysis
Volume 6, # II

Sean Atkinson, Tonality in Steve Reich’s Nagoya Marimbas
Yoel Greenberg, Tinkering with Form: On W. F. Bach’s Revisions to Two Keyboard Sonatas

Analytical Vignette
Steven Vande Moortele, The Subordinate Theme in the First Movement of Schubert’s “Unfnished” Symphony

Robert O. Gjerdingen, Music Theory Pedagogy: What Paul Taught Nadia

Book review
Wendelin Bitzan, Review of Felix Diergarten and Markus Neuwirth, Formenlehre: Ein Lese- und Arbeitsbuch zur Instrumentalmusik des 18. und 19. Jahrhunderts

About the journal
Music Theory & Analysis (MTA) is a peer-reviewed international journal focusing on recent developments in music theory and analysis. It has a special interest in the interplay between theory and analysis, as well as in the interaction between European and North-American scholarship. Open to a wide variety of repertoires, approaches, and methodologies, the journal aims to stimulate dialogue between diverse traditions within the field.

MTA is the official journal of the Dutch-Flemish Society for Music Theory (Vereniging voor Muziektheorie). It is the successor to the Dutch Journal of Music Theory (Tijdschrift voor Muziektheorie). For more information, visit the website

Online journal with a print edition
Bi-annually in May and October
Online ISSN: 2295-5925
Print ISSN: 2295-5917
Online available via


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