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The Society for Seventeenth-Century Music is pleased to announce the
publication of new works in its collection of open-access scholarly
editions:

Monuments of Seventeenth-Century Music Volume 2: Italian Instrumental Music
now includes eight compositions by Giovanni Maria Bononcini (1642–1678)
edited by Thomas D. Dunn. Included are six sonatas for 2 violins and
continuo from his Op. 6 collection Sonata da chiesa a due violini (Venice,
1672) and two pieces for 2 violins, violone, and continuo from Op. 9
Trattenimenti musicali a tre, & a Quattro srtomenti (Bologna, 1675).
View the editions at:
https://urldefense.proofpoint.com/v2/url?u=http-3A__www.sscm-2Dwlscm.org_monuments-2Dof-2Dseventeenth-2Dcentury-2Dmusic_volume-2D2_436-2Dbononcini-2Dgiovanni-2Dmaria&d=DwIFaQ&c=Cu5g146wZdoqVuKpTNsYHeFX_rg6kWhlkLF8Eft-wwo&r=PHu0YcldevQqIedM86l0iexbqE-AeZLl-lupNToNx6I&m=MbuyWNzGghtoGOPCMw_Smeiu74gvMrNa99SaYPxCdyE&s=Qq5SsPmc8NTmi09bODH1Rbqabh5dvsc7ORD7-p2Wd5c&e= 

WLSCM No. 35 is edition of François Martin’s Pièces de Guitairre, à Battre
et à Pinser (Paris, 1663) edited by Michael A. Bane. The edition presents
the two suites for Baroque guitar in tablature along with a transcription
at pitch on the grand staff.
View the edition at:
https://urldefense.proofpoint.com/v2/url?u=http-3A__www.sscm-2Dwlscm.org_main-2Dcatalogue_browse-2Dby-2Dcomposer_446-2Dpieces-2Dde-2Dguitairre-2Da-2Dbattre-2Det-2Da-2Dpinser&d=DwIFaQ&c=Cu5g146wZdoqVuKpTNsYHeFX_rg6kWhlkLF8Eft-wwo&r=PHu0YcldevQqIedM86l0iexbqE-AeZLl-lupNToNx6I&m=MbuyWNzGghtoGOPCMw_Smeiu74gvMrNa99SaYPxCdyE&s=w4zpjdhi06MjKw5WX6-6c5xz90ndI6q7hWVw-5UCdIE&e= 

Visit all of our editions at https://urldefense.proofpoint.com/v2/url?u=http-3A__www.sscm-2Dwlscm.org&d=DwIFaQ&c=Cu5g146wZdoqVuKpTNsYHeFX_rg6kWhlkLF8Eft-wwo&r=PHu0YcldevQqIedM86l0iexbqE-AeZLl-lupNToNx6I&m=MbuyWNzGghtoGOPCMw_Smeiu74gvMrNa99SaYPxCdyE&s=mIquhDRf7RkSeMnFWGEqI9q8ift8EshnW7WZYohlA1U&e= 

The Web Library of Seventeenth-Century Music (ISSN 2330-2429) is a service
offered by the Society for Seventeenth-Century Music to its members and to
the musical community at large. It presents new scholarly editions of
seventeenth-century compositions that have remained unpublished or that are
not available commercially.

Editions are peer-reviewed on a continual basis. Submissions are welcome at
any time. Please send inquiries to info -at- sscm-wlscm.org


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