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The Opera Quarterly, Volume 35, Issue 3, Summer 2019
https://urldefense.proofpoint.com/v2/url?u=https-3A__academic.oup.com_oq_issue_35_3&d=DwIBaQ&c=Cu5g146wZdoqVuKpTNsYHeFX_rg6kWhlkLF8Eft-wwo&r=PHu0YcldevQqIedM86l0iexbqE-AeZLl-lupNToNx6I&m=7XT4tXsgcH-oHG7mNbVALvVRnyN8Dfl_kv1zJzgQqUY&s=VdcMGulNrF4rqx8_iW51U2TZXUGcK-Gp1McD4UymVps&e= 

ARTICLES
"Art and Climate" and the Atmospheric Politics of Wagnerian Theater
Kirsten Paige

Wozzeck and the Mathematical
Marc Brooks

"In the Score": Music and Media in the Discourse of Operatic Mise-en-Scene
Emanuele Senici

REVIEWS
Scholarship

Gundula Kreuzer: Curtain, Gong, Steam: Wagnerian Technologies of
Nineteenth-Century Opera
Thomas Grey

Performance
Media Opera/Opera's Media: Elizabeth Kelly's Losing Her Voice
Harriet Boyd-Bennett

No Can-Can
Laura Tunbridge


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