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The Opera Quarterly, Volume 35, Issue 4, Autumn 2019
https://urldefense.proofpoint.com/v2/url?u=https-3A__academic.oup.com_oq_issue_35_4&d=DwIFaQ&c=Cu5g146wZdoqVuKpTNsYHeFX_rg6kWhlkLF8Eft-wwo&r=PHu0YcldevQqIedM86l0iexbqE-AeZLl-lupNToNx6I&m=vVm7vM9-2k7wGiA2aiG49ji8zUwvpgSiRL9LcgD2hGc&s=8uVsG9s4WxLmyFgfEahqy58QmDV5EmySNd4qOWB3hMo&e= 

ARTICLES
Rossinian Opera in Translation: José Bernardo Alzedo's Church Music in
Mid-Nineteenth-Century Chile
José Manuel Izquierdo König

When the Puppets Get Together: Looking Like a Subject in The Archers' The
Tales of Hoffmann
Marissa Fenley

"Guarda un po": Seductive Visuality in Remediated Opera
Julia Sirmons

REVIEWS
Scholarship
Laurence Senelick: Jacques Offenbach and the Making of Modern Culture
Gabriela Cruz

Performance
Big Marionette, Little Marionette
Hayley Fenn

Meredith Monk's ATLAS in Los Angeles
Paul V Miller

Eight, aus Licht, and The Unbearable Lightness of Being Immersed in Opera
Jelena Novak


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