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We are excited to announce the second issue of *American Music*, Volume 38.
This special issue devoted to "Platforms, Labor, and Community in Online
Listening" was guest-edited by Kate Galloway, K. E. Goldschmitt, and Paula
Harper.

*American Music* encourages proposals for special issues, forums, or
unusual formats, including this special issue and other exciting examples
already in the works. We invite our readers to view our submission
guidelines online (
https://urldefense.proofpoint.com/v2/url?u=https-3A__www.press.uillinois.edu_journals_am_amsubmissions.html&d=DwIFaQ&c=Cu5g146wZdoqVuKpTNsYHeFX_rg6kWhlkLF8Eft-wwo&r=PHu0YcldevQqIedM86l0iexbqE-AeZLl-lupNToNx6I&m=3mvEHb9aPk7cY4vpVk3MdJyCX6DSYxOa57qUpvmOH-A&s=phwPvN7ikxKxv2LaLgPyjiN2csV5NsB2O6QF7VVcACc&e= ) or contact
the editor, Todd Decker (tdecker -at- wustl.edu), with any questions about
submitting to the journal.

*American Music*, Vol. 38, no.2 (Summer 2020)
https://urldefense.proofpoint.com/v2/url?u=https-3A__www.jstor.org_stable_10.5406_americanmusic.38.issue-2D2&d=DwIFaQ&c=Cu5g146wZdoqVuKpTNsYHeFX_rg6kWhlkLF8Eft-wwo&r=PHu0YcldevQqIedM86l0iexbqE-AeZLl-lupNToNx6I&m=3mvEHb9aPk7cY4vpVk3MdJyCX6DSYxOa57qUpvmOH-A&s=YueSufI2xBNTLDZOihj_oolcaPzbf8u5vmSqJnLzM-c&e= 
<https://urldefense.proofpoint.com/v2/url?u=https-3A__www.jstor.org_stable_10.5406_americanmusic.38.issue-2D2&d=DwIFaQ&c=Cu5g146wZdoqVuKpTNsYHeFX_rg6kWhlkLF8Eft-wwo&r=PHu0YcldevQqIedM86l0iexbqE-AeZLl-lupNToNx6I&m=3mvEHb9aPk7cY4vpVk3MdJyCX6DSYxOa57qUpvmOH-A&s=YueSufI2xBNTLDZOihj_oolcaPzbf8u5vmSqJnLzM-c&e= >

*Articles*
Guest Editors’ Introduction: "Platforms, Labor, and Community in Online
Listening"
Kate Galloway, K. E. Goldschmitt, and Paula Harper

"The Long History of the Spotify "Fake Music" Scandal"
K. E. Goldschmitt

"Fake Streams, Listening Bots, and Click Farms: Counterfeiting Attention in
the Streaming Music Economy"
Eric Drott

"Chance the Rapper, Spotify, and Musical Categorization in the 2010s"
Tom Johnson

"Circulatory Maintenance: The Entailments of Participation in Digital Music
Platforms"
Blake Durham

"Receiving, Remixing, Recuperating "Rebecca Black – Friday""
Paula Harper

"Musicking Fan Culture and Circulating the Materiality of Taylor Swift
Musical Greeting Cards on YouTube"
Kate Galloway


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