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*Revue de Musicologie*, Jan., 2021, Vol. 107, No 1
https://urldefense.proofpoint.com/v2/url?u=http-3A__sfmusicologie.fr_derniere-2Dlivraison&d=DwIFaQ&c=Cu5g146wZdoqVuKpTNsYHeFX_rg6kWhlkLF8Eft-wwo&r=PHu0YcldevQqIedM86l0iexbqE-AeZLl-lupNToNx6I&m=_QkMSF8iKyDyp92YF00ANeLPHOdNrkZFPtw_MPt9aag&s=ncOx71o1IqBkXLsKbtpbfacn3y3aWhYwl2O1sOp6yLg&e= 

—Un grand amour de Beethoven.
Parcours de Brigitte et Jean Massin
Esteban Buch

—Pratiques de l'écoute en disposition de salon. Une enquête historique et
empirique
Emmanuel Reibel and Benoît Haug

—Le fonds de manuscrit musicaux de Maurice Ravel des Archives du Palais
princier de Monaco
Manuel Cornejo

—Obituary: Yves Gérard (1932-2020)
Jean-Michel Nectoux, Achille Davy-Rigaux, and Catherine Massip

—Obituary: Daniel Heartz (1928-2019)
Michel Noiray

Review: *Du bruit à la musique. Devenir organist*, by Marie Baltazar
Lucille Lisack

Review: *The Cambridge History of Music Criticism*, ed. by Christopher
Dingle
Katherine Ellis

Review: *Bourdieu et la musique. Enjeux et perspectives*, ed. by Pascal
Kaelblen, Irina Kirchberg et Alexandre Robert
Isabelle Mayaud

Review:
*Les « bandes » de violons en Europe. Cinq siècles de transferts
culturels.Des anciens ménétriers aux Tsiganes d’Europe centrale*, by Luc
Charles-Dominique
Forence Gétreau

Review: *London Voices, 1820-1840. Vocal performers, practices, histories*,
ed. by Roger Parker et Susan Rutherford
Edward Gillin

Review: *Discordant Notes. Marginality and Social Control in Madrid,
1850-1930*, by Samuel Llano
Aimée Boutin

Review: *Une pluralité audible ? Mondes de musique en contact*, ed. by
Talia Bachir-Loopuyt et Anne Damon-Guillot
Luc Charles-Dominique

Review: *The Powers of Sound and Song in Early Modern Paris*, by Nicholas
Hammond
Leendert van der Miesen

Review: *Sex, Death & Minuets. Anna Magdalena Bach and Her Musical
Notebooks*, by Nicholas Hammond
W. Dean Sutcliffe

Review: *The Cambridge History of Sixteenth-Century Music*, ed. by Iain
Fenlon et Richard Wistreich
Richard Freedman

Review: *The Cambridge Encyclopedia of Historical Performance in Music*,
ed. by Colin Lawson et Robin Stowell
Benoît Haug

Review: *Operatic Geographies. The Place of Opera and the Opera House*, ed.
by Suzanne Aspden
Mark Everist

Review: *El músico como intellectual. Adolfo Salazar y la creación del
discurso de la banguardia musical española (1914-1936)*, by Francisco
Parralejo Masa
Stefan Etcharry

Review: *Coquettes, Wives, and Widows. Gender Politics in French Baroque
Opera and Theater*, by Marcie Ray
Lola Salem

Review: *Kunst, Spiel, Arbeit. Musikerleben in Deutschland, 1850 bis 1960*,
by Martin Rempe
Alexander K. Rothe

"and more"


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